When people ask me what I do, I never quite know how to give a short answer. I paint, yes. I design jewelry, yes. I create accessories, silk scarves, and lifestyle pieces. But none of those things, not even my most detailed portraits or handmade jewelry, fully capture what I’m really building.

Because what I create is more than art.
I’m building a whole curated world!

A world where beauty is layered with meaning.
Where elegance and rebellion hold hands.
Where luxury isn’t loud, but speaks fluently in symbols, silhouettes, and stories.

From canvas to crown stud

Every piece I make, whether it’s a large-scale painting on 400 gsm Hahnemühle paper or a pair of gold-plated earrings with my signature crown motif, starts with the same foundation: a vision of the woman who will live with it.

She’s not just anyone.
She’s deliberate.
She chooses things not to impress, but to express.
She surrounds herself with objects that reflect her, her strength, her taste, her history, and her mystery.

My portraits are not about painting “pretty women.”
They’re about painting women who take up space, who own themselves. That same essence flows into my jewelry. These aren’t accessories, they’re modern heirlooms.
And not just because they’re made to last, but because they’re made with meaning.

Why I believe in legacy

I often say: you don’t just buy one of my works; you collect a piece of my world. Like the great luxury maisons, I believe in legacy. But unlike watches or handbags, my creations are not status objects. They are mirrors. They are memory keepers. They are statements of identity.

You don’t wear my Lumière bracelet to follow a trend. You wear it because it says something about you, about what you value, what you’ve overcome, what you want to carry into the future.

Art, jewelry, and accessories, in my universe, aren’t separate categories. They are one living system. One story. One aesthetic vision.

Why limited means more

Everything I make is produced in limited editions, as a philosophical choice. It’s about refinement, ownership, elegance, and emotional resonance.

That’s why I don’t mass-produce. That’s why you won’t see my pieces in every store.
If you know, you know.

I often imagine where my work will end up.
A painting above a fireplace in Paris.
A bracelet worn at a daughter’s graduation.
A silk scarf tied around a suitcase on the way to somewhere new.

These pieces may leave my hands, but they live on in stories I’ll never know.

And that is why I do this. That’s why I create. That’s why I curate this world.

Not just art. A mirror of the woman you’ve become.
Collect more than an artwork. Collect a world.

With love,
Wendy