There’s something liberating about cutting things up.
In recent months, I’ve found myself returning to a more physical, tactile way of creating, surrounded by scissors, fragments, and silence. Les Découpés, my new collage series, was born from this instinct: the desire to deconstruct and reassemble what I once painted, not out of destruction, but out of reverence.
Each work in the collection is hand-assembled from elements of my previous paintings, lips, eyes, gold details, earrings, all once belonging to muses I spent years painting. Now, these fragments are rearranged into new compositions. The muse is gone, but her presence lingers.
The process is deeply expressive. I don’t plan these compositions digitally or sketch them in advance. I move shapes on the table, rearrange, reject, keep, commit. Every piece is a dance between intuition and design.
Like Matisse’s cut-outs, Les Découpés are about form and freedom. But they’re also about femininity: what remains, what’s lost, and what becomes iconic through fragmentation.
In these works, you’ll find:
- A single eye that still sees.
- A pair of lips mid-sentence.
- A golden earring, still whispering its story.
Each artwork is original and one-of-a-kind, and like my paintings, they speak to bold femininity, elegance, and transformation.
If you’ve followed my journey, you’ll recognize their DNA. But you’ll also feel their independence.
Les Découpés
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